 Artist: Crumbsuckers: mp3 download Genre(s): Metal: Heavy Metal: Thrash Crumbsuckers's discography:  Beast On My Back (B.O.M.B.) Year: 1988 Tracks: 9  Life Of Dreams Year: 1986 Tracks: 16 Like New York City generation such as Agnostic Front and the Cro-Mags, the Crumbsuckers were one of the original purveyors of 1980's crossing over: the bridging of metal and hard-core that temporarily joined the deuce divergent tribes of metalheads and punks into one and only, blinking, coordinated thrash pit. Getting their start in 1983, the band were before long an intact portion of New York's Lower East Side-based hard-core scene, cut their teeth at the legendary nose dive A7 before moving on to CBGB's notable Sunday matinees, as they and the movement gained strength. Come 1986, the Crumbsuckers consisted of vocalizer Chris Notaro (ex-Krackdown), guitarists Dave Wynn and Chuck Lenihan, bassist Gary Meskil and drummer Dan Richardson, and delivered their Life of Dreams debut into a peeking crossover furore. A satisfying if preferably conventional dependable example of the literary genre, Life of Dreams featured a paries of razor-sharp thresh guitars, manic drum-work, and punk-grown social and political criticism, culminating in the standout "Super Tuesday," which criticizes the 1984 presidential election. Unfortunately, the Crumbsuckers would shortly fall fouled of their fans (as did Agnostic Front, around the same clock metre) by delving too deep in heavy alloy with their 1988 sophomore liberation Beast on My Back (a.k.a. "B.O.M.B."), featuring shred-happy new guitar player Robert Koebler. This effort, with its longer songs and conspicuous metallic overkill, combat injury up alienating virtually of their longtime hard-core followers and the dance orchestra was honestly dead on comer by the prison house term they shoot the road with yet some other novel guitarist in previous Carnivore Marc Piovanetti. In the closing, even more than their hit-and-miss albums, the Crumbsuckers' permanent legacy may considerably ingest been the numerous bands which subsequently sprung up from their ruination. Meskil and Richardson went on to be post-hardcore metallers Pro-Pain, and the latter eventually likewise did time with Life of Agony and Stereomud, piece Lenihan landed with S&M crew the Genitorturers, a few geezerhood afterwards. |
Thursday, 28 August 2008
Mp3 music: Crumbsuckers
Monday, 18 August 2008
Vietnam to deport Gary Glitter to Britain
HANOI () - Fallen British rock star Gary Glitter testament be deported to Britain on Tuesday after completing a 27-month sentence for molesting two young girls, his attorney said.
Glitter, 63, whose tangible name is Paul Gadd, was arrested in November 2005 at Ho Chi Minh airport as he tried to leave the country and sentenced to three long time in jailhouse following a one-day tryout where he pleaded not guilty.
The article of faith was upheld on appeal, but the sentence was reduced by three months. Jail meter served is counted from the appointment of arrest, meaning he is eligible for press release this calendar month.
"My client will have to board a flight to London, his ticket has been bought by the authorities here," Glitter's lawyer Le Thanh Kinh told by telephone from Ho Chi Minh City.
"After he lands in London, he's free to go wherever he wants," Kinh added.
State media reported this week Glitter has been doing chores at a prison clinic in Binh Thuan province, 190 km (118 miles) north of Ho Chi Minh City and adjacent to the coastal province of Ba Ria-Vung Tau where he molested deuce 11-year-old girls while living in a villa.
He rosebush to fame in the 1970s with a bouffant hairstyle, fabricate, high heels and "glam rock" phase performances. His hits included "Rock and Roll (Parts 1 & 2)" and "I Love You Love Me Love", "Do You Wanna Touch Me (Oh Yeah)" and "I'm the Leader of Gang (I am)".
(Reporting by Nguyen Nhat Lam; Editing by David Fox)
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Friday, 8 August 2008
Michael Yonkers Band
Artist: Michael Yonkers Band
Genre(s):
Rock
Discography:
Microminiature Love
Year: 2003
Tracks: 13
Noosphere
Tuesday, 1 July 2008
Liv Tyler - Tyler Enjoying Quiet Life As Single Mum
Actress LIV TYLER is happy to shun the celebrity party lifestyle in favour of spending her nights in front of the TV.
The Armageddon beauty is enjoying the quiet life as a single mum to four-year-old son Milo, after recently splitting from British rocker Royston Langdon after five years of marriage.
And Tyler - the daughter of Aerosmith star Steven Tyler - admits she loves nothing more than spending her time holed up in her New York home.
She tells Britain's Cosmopolitan magazine, "I don't want to surprise or shock. And I don't have any urge to run naked along a beach or get drunk at a party.
"I live quietly in New York, out of the public eye. I don't go out much.
"My favourite nights are staying in watching TV or going to a movie and eating popcorn."
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Thursday, 19 June 2008
Phantom Planet explores cults in 'Raise the Dead'
There is a dark side to pop. It can be heard in the Beatles' "Helter Skelter," the Rolling Stones' "Midnight Rambler," Elvis Costello's "Accidents Will Happen." For songwriters, bad news can be an inspiration. Alex Greenwald, the singer-guitarist of L.A.-based Phantom Planet, certainly went to dark places for his band's latest album, "Raise the Dead," which explores the grim phenomenon of cults. His new songs dig into some of the darkest American tales and tragedies of the 20th century, feeding on the legacies of Charles Manson, David Koresh, Jim Jones and others.
The process, he says, was fascinating and grueling, amusing and heartbreaking, as he wrote and recorded demos, sometimes alone, in a small Hollywood studio. "It all started with my fascination with cults and cult music, which started in 2004, when I started writing this record," Greenwald said, calling from Chicago between tour dates. "I became fascinated with how a cult will start with a charismatic leader whose heart possibly could have been in the right place within their distortion of reality. Somehow this clicked with me as unifying the songs."
"Music in any instance is an extremely quick way of conveying an emotion or an influence," Greenwald added. "Cults are based on mind control, effectively inserting your point, and music can do that almost immediately."
The songs on "Raise the Dead" are often bright and tuneful, with a layer of Bowie-esque glam, including the tracks "Do the Panic," "Dropped" and "Leave Yourself for Somebody Else." "Quarantine" rides spaced, Radiohead-like drift, with a vocal that could be classic Ray Davies. It's another stylistic shift for Phantom Planet, a band that first reached the pop masses through the song " California" (spread weekly nationwide under the opening credits on Fox's teen drama "The O.C."). They've existed as a group for 14 years, ever since Greenwald and some friends in the ninth grade began playing together in West Los Angeles.
Among those friends was drummer Jason Schwartzman, who remained with the band for several years even as his acting career took off after the 1998 film "Rushmore," but then finally left during the recording of "Phantom Planet."
Although the band's self-titled 2004 album leaned heavily toward garage rock, the new direction is unsurprising to Greenwald. "We had a four-year break," he said. "I'm a different person from what I was four years ago. I hear that every seven years all your cells regenerate. I don't know it that's true, but I like thinking that way because as people we change, we shed skins. Each record for me is as honest as I can be about what I'm going through. I don't live in a box. I experience as any things as I possible can, and if possible, write about them."
In researching the tragedies that informed the new songs, Greenwald listened to a tape from the Library of Congress from Nov. 18, 1978, as the Rev. Jim Jones orders his congregation to drink poisoned Kool-Aid in a mass suicide in the jungles of Guyana. But just as disturbing was a gospel record he came across by Jones, and the otherwise uplifting first song, "Welcome." "There are kids singing, and there is something about that that really saddened me," Greenwald says. "But feeling strongly about something is important when you're writing a song."
During the band's four years between albums, Phantom Planet did a few weeks on the road with the reunited Zombies, whose works had influenced Greenwald. And seeing the veteran rockers on tour so many years later left an impression. "To see that it can be a joyful experience to play for as long as you want it to be. Seeing that for us gave us a lot of hope for the future and strength."
Phantom Planet will perform Saturday at the Honda Center in Anaheim with Panic at the Disco, Motion City Soundtrack and The Hush Sound as part of the Honda Civic Tour.
The process, he says, was fascinating and grueling, amusing and heartbreaking, as he wrote and recorded demos, sometimes alone, in a small Hollywood studio. "It all started with my fascination with cults and cult music, which started in 2004, when I started writing this record," Greenwald said, calling from Chicago between tour dates. "I became fascinated with how a cult will start with a charismatic leader whose heart possibly could have been in the right place within their distortion of reality. Somehow this clicked with me as unifying the songs."
"Music in any instance is an extremely quick way of conveying an emotion or an influence," Greenwald added. "Cults are based on mind control, effectively inserting your point, and music can do that almost immediately."
The songs on "Raise the Dead" are often bright and tuneful, with a layer of Bowie-esque glam, including the tracks "Do the Panic," "Dropped" and "Leave Yourself for Somebody Else." "Quarantine" rides spaced, Radiohead-like drift, with a vocal that could be classic Ray Davies. It's another stylistic shift for Phantom Planet, a band that first reached the pop masses through the song " California" (spread weekly nationwide under the opening credits on Fox's teen drama "The O.C."). They've existed as a group for 14 years, ever since Greenwald and some friends in the ninth grade began playing together in West Los Angeles.
Among those friends was drummer Jason Schwartzman, who remained with the band for several years even as his acting career took off after the 1998 film "Rushmore," but then finally left during the recording of "Phantom Planet."
Although the band's self-titled 2004 album leaned heavily toward garage rock, the new direction is unsurprising to Greenwald. "We had a four-year break," he said. "I'm a different person from what I was four years ago. I hear that every seven years all your cells regenerate. I don't know it that's true, but I like thinking that way because as people we change, we shed skins. Each record for me is as honest as I can be about what I'm going through. I don't live in a box. I experience as any things as I possible can, and if possible, write about them."
In researching the tragedies that informed the new songs, Greenwald listened to a tape from the Library of Congress from Nov. 18, 1978, as the Rev. Jim Jones orders his congregation to drink poisoned Kool-Aid in a mass suicide in the jungles of Guyana. But just as disturbing was a gospel record he came across by Jones, and the otherwise uplifting first song, "Welcome." "There are kids singing, and there is something about that that really saddened me," Greenwald says. "But feeling strongly about something is important when you're writing a song."
During the band's four years between albums, Phantom Planet did a few weeks on the road with the reunited Zombies, whose works had influenced Greenwald. And seeing the veteran rockers on tour so many years later left an impression. "To see that it can be a joyful experience to play for as long as you want it to be. Seeing that for us gave us a lot of hope for the future and strength."
Phantom Planet will perform Saturday at the Honda Center in Anaheim with Panic at the Disco, Motion City Soundtrack and The Hush Sound as part of the Honda Civic Tour.
Friday, 13 June 2008
Lil Wayne’s Overdue Album Culmination of His Mix Tapes
After delays worthy of a municipal construction project, Tha Carter III is actually here. And it is everything we’d hoped it would be. After years of feasting in the mix-tape jungle, Wayne simply comes out and kills it again — officially. We love Weezy’s unexpectedly restrained tack on some tender Kanye productions, but hearing the kid flip out is still the point: “He’s a beast, he’s a dog, he’s a muthafuckin’ problem / okay you’re a goon, but what’s a goon to a goblin?”
Saturday, 7 June 2008
Amy Winehouse, husband turn to god in a bid to save marriage
Amy Winehouse and her incarcerated husband Blake Fielder-Civil have reportedly turned to god in a bid to save their troubled marriage.
Winehouse, 24, yesterday spent her first wedding anniversary away from Blake — who is currently locked up in London’s Pentonville prison on assault and conspiracy charges.
Fielder-Civil, who is purported to be planning to divorce the ‘Rehab’ singer, has turned to Catholicism in a bid to turn his life around, according to his mother Georgette Civil.
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